Toshio Matsumoto: Funeral Parade of Roses (1969)

Director Toshio Matsumoto’s shattering, kaleidoscopic masterpiece is one of the most subversive and intoxicating films of the late 1960s: a headlong dive into a dazzling, unseen Tokyo night-world of drag queen bars and fabulous divas, fueled by booze, drugs, fuzz guitars, performance art and black mascara. An unknown club dancer at the time, transgender actor Peter (from Kurosawa’s Ran) gives an astonishing Edie Sedgwick/Warhol superstar-like performance as hot young thing Eddie, hostess at Bar Genet — where she’s ignited a violent love-triangle with reigning drag queen Leda (Osamu Ogasawara) for the attentions of club owner Gonda (played by Kurosawa regular Yoshio Tsuchiya, from Seven Samuri and Yojimbo).

Decolonizing Sexualities: Transnational Perspectives, Critical Interventions

Decolonizing Sexualities: Transnational Perspectives, Critical Interventions contributes to the critical field of queer decolonial studies by demonstrating how sexuality, race, gender and religion intersect transnationally. The volume maps some of the specifically local issues as well as the common ones affecting queer/trans people of colour (qtpoc). The contributions are not delimited by traditional academic style but rather draw on creative inspiration to produce knowledge and insight through various styles and formats, including poetry, essays, statements, manifestos, as well as academic mash-ups. Queering coloniality and the epistemic categories that classify people means to disobey and delink from the coloniality of knowledge and of being. At this intersection, decolonial queerness is necessary not only to resist coloniality but, above all, to re-exist and re-emerge decolonially.

Barbara Caspar: Who’s Afraid of Kathy Acker ? (2008)

A multi-layered work featuring animation, archival footage and interviews with the likes of William Burroughs, Carolee Schneemann and Richard Hell, Who’s Afraid of Kathy Acker by Austrian artist Barbara Caspar and co-produced by Annette Pisacane (Nico Icon) and Markus Fischer,…

Carlos Motta: Gender Talents (2013)

GENDER TALENTS is a web-based project by artist Carlos Motta that engages movements and discourses for gender self-determination within trans and intersex communities internationally. It features an online archive of video portraits of trans and intersex activists who thoughtfully perform gender as a personal, social, and political opportunity rather than as a social condemnation. Based on in-depth interviews conducted in Colombia, Guatemala, India and the United States the portraits expose the ways that activists challenge the bio-cultural “foundations” of society and question gender norms from the perspective of sexuality, class, race, ethnicity, and disability.

Black_Women*_Space: The Black Her*Stories Project (2015)

Screenings, film discussions, workshop organized by Black_Women*_Space
Wienwoche, 2015

The Black Her*Stories Project presents the first queer Black feminist film festival in Vienna. The selected films depict stories by and about Black LGBTIQ people (Lesbian, Gay, Bisexual, Transgender, Intersex, Queer), bringing them to the cinema screen and thus creating decolonial and feminist resistance.

The Black Her*Stories Project utilises the medium of film to highlight and pass on queer Black feminist stories. For three nights the cinema Top Kino stands in the light of Black revolutionary resistance. From feature films to documentaries and experimental movie formats, what connects these powerful, artistic and humoristic narratives is their political relevance. Not only do queer Black feminist positions claim space, but social struggles and movements are made visible.

Isaac Julien: The Attendant (1993)

The plot revolves around sexual fantasies aroused in a middle-aged black male museum guard — or attendant — by a young white male visitor. Much of the action takes place after closing time. As the guard paces the galleries, a huge 19th-century painting titled “Slaves on the West Coast of Africa”, by the French artist François-Auguste Biard, comes to life, its melodramatic scene of a white master bending over a dying black slave transformed into an up-to-date, leather clad sadomasochistic grouping.

Transgender China

Edited by Howard Chiang Palgrave Macmillan, 2012 In the vibrant field of queer Asian studies, scholars to date have paid scant attention to transgender topics. Meanwhile, despite its already sophisticated focus on gender non-conformity, Western queer studies exhibits an equally…